Jiebing Chen has been hailed as one of the foremost erhu virtuosos in the world. Her world-renown is based on her mastery of the classical Chinese repertory for the erhu and for her award-winning contemporary innovations using the twostringed instrument.

Chen’s incredible musicality and interpretive skills have resulted in overwhelming
international acclaim as a solo interpreter of her instrument. Beyond that, with Chinese, American and European orchestras Chen was the first to bring the erhu into the symphonic concert hall, performing as a featured soloist. Her playing brought a new sound and excitement to classical music audiences. Perhaps most compelling are her achievements as a cross-cultural performer. Chen has virtually reinvented the erhu for the 21st century, performing in partnership with some of the most notable jazz and world music artists of our time. Her artistry has made her the most recorded erhu artist in the world with over 20 CD titles available internationally. In addition to her classical repertory Chen’s work received a Grammy-nomination for Best World Music Album for her jazz improvisations with Bela Fleck and Vishwa Bhatt.

In May 2025, she was invited to join the Asian Art Association Singapore (Chinese Traditional Instruments) as a Lifetime member and was appointed as a judge for the World Chinese Music Competition 2025.

I am a musician dedicated to both preserving and innovating the art of Chinese erhu. The erhu’s soulful, voice-like timbre allows me to express my most authentic emotions through music and to engage in a heartfelt dialogue with audiences from diverse cultural backgrounds. I value improvisation and cross-genre collaboration, and I have performed with instruments from jazz, Indian, and bluegrass traditions, exploring the sonic possibilities at the intersection of East and West.

The album Tabula Rasa, which I contributed to, was nominated for Best World Music Album at the 39th Grammy Awards. In 2025, I was honored with the “Outstanding Asian American Woman Award.” These recognitions are not only affirmations of my artistic journey but also strengthen my commitment to telling our stories and sharing our culture through music.

Jiebing Chen began performing at age 5 in her native Shanghai. Recognized as a child prodigy, her talent was saved during the Chinese Cultural Revolution when, at age 9, she was taken into the Chinese Navy Orchestra, (one of China’s few musical organizations at the time). As a very young musician she found herself playing martial music along with performing in the orchestra that accompanied Madame Mao’s ‘model operas’. As changes in China took place, Chen studied and graduated with top honors from the Shanghai Conservatory of Music in 1982 after studying under China’s most distinguished musicians. That same year she won first prize in China’s Ministry of Culture sponsored National Competition of Traditional Instruments. Shortly after, she made her first recording on a major label, Jiebing Chen Erhu Recital, the first solo recording of the erhu by industry leader, China Records. Five years later, Chen was the youngest performer to be named "National First Rank Performing Artist", the highest honor the Chinese Government awards to artists in recognition of their talent and achievements.

As a soloist with the Shanghai Symphony and Chamber Orchestras at the Shanghai Concert Hall, Chen performed for the first time using the erhu as a solo instrument with Western orchestral accompaniment. These broadcasts and others on radio and television in China brought Chen enormous popular acclaim and special recognition as one of the few erhu virtuosos in China. Since 1988, Jiebing has frequently appeared as soloist with the Shanghai Symphony Orchestra, the Shanghai Chamber Orchestra and the Shanghai Opera House. Chen then began to tour Australia, Asia and Europe as a Chinese cultural exchange artist in "Marvelous Strings”.

In 1989 Chen came to the United States to study at the State University of New York in Buffalo, receiving a MA degree in Music Theory. The total freedom Chen felt in the United States deeply affected her exploration of the possibilities for her instrument and the ways in which the erhu could be integrated into the classical and contemporary repertory for orchestra, along with other music styles, including jazz and Indian classical music.

Her appearances as a featured soloist with orchestras include dates with Buffalo Philharmonic, the San Francisco Symphony, the New Moscow Symphony, the Hungarian Symphony, Taipei Municipal Chinese Classical Orchestra, Manitoba Chamber Orchestra, the New Century Chamber Orchestra, the Hollywood Bowl Orchestra, Los Angeles philharmonic, Philadelphia Orchestra and others. Besides performing as a featured soloist in classical concertos, her contemporary work as a soloist include "Double Concerto for Violin and Erhu", “Concerto for the Erhu and Hammer Dulcimer”, “String Calligraphy”, “Awakening
for Erhu and Orchestra” and “Fiddle Suite for Erhu and String Quartet”.

Stepping out in a new direction, Chen began performing a series of concerts with the Jon Jang Sextet and The Billy Taylor Trio in New York City. These successful events led to even more innovation. In Beijing in 1998, Chen performed on her erhu with the Jon Jang Sextet at the International Jazz Festival with James Newton, Jon Jang, Santi Debriano, Billy Hart and David Murray to great audience acclaim. With fast-rising recognition and success in jazz and world music, Chen recorded with the well-known American banjo player Bela Fleck, flutist James Newton and Indian violinist L. Subramanian. Her CD, Tabla Rasa, in collaboration with Bela Fleck and Vishwa Bhatt, was nominated for a 1996 Grammy Award for Best World Music album. A new and acclaimed partnership was formed in 1999 when The Beijing Trio came into being. In that year, Chen began a stellar collaboration with pianist and composer Jon Jang and legendary jazz percussionist Max Roach. Recently, Chen started a new collaboration with a Blue Grass Band Brothers Comatose and incorporated the erhu in with the American country music.

Most recently, she played at the Philadelphia Orchestra Opening Night Gala at Verizon Hall Kimmel Center in Philadelphia. In addition, some other notable performances included the Kennedy Center in DC, at the Lincoln Center as the featured soloist in the Great Wall Capriccio and the Butterfly Lovers with the Austin Symphony Orchestra in Texas.

Chen’s accomplishments has led to three documentary television programs produced by China’s CCTV4 International Station: “Chinese World”, “Speak To The World” and “Chinese Story” to recognize her contribution to the music world.