Born in Taiwan in 1954, Hsiau Jungching （Chinese Name：蕭榮慶） was engaged in ceramic art creation in the early years with fruitful results and had a certain influence on the island. In recent years, he has gradually shifted his interest and mentality to contemporary ink painting. In the creation, his soul is completely released. He conveys his intentions by pen and forgets both things. He enjoys the joy of creation and life in the "state without me".

The ancient Greek philosophers once said: "When the foot enters the water, the water is no longer the former water, how can there be eternal and stable things?" Hsiau Jungching used pure type, agile lines, freehand brushwork, and appropriate colors in pure In the simple and quiet, we have created a rich and varied world for us, and also passed on his own understanding of Chinese learning and traditional spirit.

He joined Global Artists Committee of Asian Art Association In 2020.

Take a look at Hsiau's paintings, map everything with the mind, abandon all the thoughts of the world, and move the pen freely, letting the lines move between black, white, imagination, and reality. They are specious, but they are just as appropriate, as if they were in a "selfless environment."

——Liao Jun

When "painting" is talking about "time", it is also talking about "space", because even if "painting" is "idealized" and "abstracted" to the point of "symbol", it still gives priority to the visual senses. The medium expresses its "referential" meaning; since it is a medium through visual senses, the existence of "symbols" and the various elements they carry, including "time", must be presented with the help of specific picture spaces. In other words, the "temporality" of painting and the "space" of painting are the relationship between "surface" and "li".
Xiao Rongqing's mastery of the contrast between black and white and the virtual and real, fully shows his decisiveness and self-confidence: with the most accurate eyesight, draw the purest shapes, the strongest lines, and the most effective pen and ink. The most appropriate location. For example, the light ink lines that the flying arrows pass through are pure, sharp, and subtle, creating a state of metaphysics like "metaphysical" or "Zen painting". ... He uses the ease of mind to deal with the structure of large paintings, to create space, to pay attention to pen and ink, and to maintain momentum. ... the mood is smooth and intoxicating, and the forms of "points", "lines" and "faces" are still clearly discernible, and the concept of "time" is never vague in the momentum of rolling energy.

—— Wang Zhexiong

2019 Carrousel Louvre Contemporary Art Salon 2019, Paris
2019 Basel International Art Biennale
2018 Asian Contemporary Art 2018 Hong Kong
2018 Formosa Art Fair
2017 Shanghai East Coast Art Museum
2016 Neo-Mo School Doctrine Exhibition
2016 Shanghai Art Fair Special Exhibition
2011 Bridge House Gallery 798 Art District Xiao Rongqing's Modern Ink Painting Exhibition
2010 Taiwan Museum of Fine Arts, Hehe Township True Color Museum, large-scale solo exhibition
2009 Niu Lo Painting Academy, solo exhibition
2008 Xihu Museum of Contemporary Art Solo Exhibition; Beijing Poly Spring Auction House
2007 Shanghai Art Fair Exhibition; German Kohler Auction Autumn Auction
2006 China Art Museum. Major solo exhibition. Favorites
2005 Shanghai Rongqing Video Book Fair, the top gallery in Shanghai.
2004 Shanghai Xintiandi Clubhouse XNUMX Exhibition; Favorites
2003 Shanghai Art Museum XNUMX · Large Solo Exhibition at Noon
2002 Kaohsiung City Art Museum; Taiwan Art Fair noon
2001 Valve House Village House Museum exhibits mounds
2000 Taiwan Museum of Fine Arts Collection
1984 Founder of Neo-Mexico