Chief Librarian, head of Malaysian Chinese Literature Collection Centre, Editor-in-Chief of Chao Foon Literary Journal. Former Senior lecturer of the Property Management, Lecturer of General Studies Centre, Editorial Committee member of Southern University College Academic Journal, the chairman of the Joint Committee of Johor State Writers Association. Graduated from Master in Science, Property Management Universiti Teknologi Malaysia, Skudai.

He has won the New Poetry category at the 10th Malaysian Tertiary Education Literary Awards, the First Prize in short stories category at the 11th Tertiary Literary Awards, the second place in the short stories category at the 12th Tertiary Literary Awards, and The 3rd Xu-Ran Fiction Award in 2024.

In December 2024, he was invited to join the Asian Art Association Singapore (Creative Writing).

Publications Collection of Short Stories include: Tales of Two Towns (2005) , Burial of Haemadipsa (2011), My Professor is Terrorist (2018) ; Waiting for Nautilus (Collection of Proses, 2011); In a Vial the Lactobacilli Kept and Gone (Collection of Poems, 2014), Palate Challenge: Essays on the Johor Bahru Cuisine (2023). Editor of Collection of Malaysian Chinese Gay Short Stories, Raising the Horn: Collection of Malaysian Chinese Gay Short Stories II, Shang Wan-Yun’s The Flea, Singapore Chinese Literature 50 years, Lu Xun in Southeast Asia, May-Fourth Movement in Southeast Asia, From Borneo to the World Chinese Literature: The Literary Journey of Li Yongping & etc. Co-Director of Faham (Documentary, 2018).

Since 2015, Organised the "Southern Literary Journey - Listening to Three or Four Voices from Both Sides of the Strait", until now 25 literary recitation tours had been held. Judges of literary awards, poetry recitation competitions, short films competitions, speech and debate competitions. Co-directed the documentary Faham about the Qizi, which premiered at the Freedom Film Festival in Johor, Malaysia in November 2018.

Published academic papers include: “The ‘Classical Theory’ of Malaysian Chinese Literature in Lin Can Tian’s Dense Smoking”, “On Construction of Self-Identity and Memory Writing about Food in Malaysian Chinese Culinary Literature”, “Tigerman, Mermaid, small crab— the imagery of the film legends from The Year Without Summer”, “Deciphering Selections of Malaysian Microfictions: How to Edit/Read Selections”, “Scratch the flea affected part: Solve the Shang Wan-Yun’s Imagery of flea and Code of death”, “From Book of dragon and Phoenix to the core of homosexuality: review of Yang Guang/Beiguang”, “Assuming This is the History of Malaysian Chinese Gay Short Stories”, “All is Eileen, either the success or failure: Discuss in transtextuality of Eileen Chang’s short stories which adapted to silver screen”, “Two Buds Blasted before Full Bloom: Lamented on Shang Wan-Yun’s Last Incomplete Fictions— ‘Flea’ and ‘In the World, Firework’”, "Looking for the Earliest Gay Malaysian Chinese Short Story -- Analysis of Wang Tan's "Yunan and Danmi", & etc.